who wrote the great speckled bird

Additionally, Porter Wagoner’s “When the Silver Eagle Meets the Great Speckled Bird” makes reference to the song and uses some of its melody.

The passage from Jeremiah and the song “The Great Speckled Bird” might both be a poetic depiction of mobbing behavior. [3].

The song “If That Aint Country” by David Allan Coe, which concludes with the line “I’m thinking tonight of my blue eyes/ Concerning a great speckled bird/ I didnt know God made honky-tonk angels/ and went back to the wild side of life,” demonstrates the connection between these two songs. “.

When discussing learning to play music, Jason Isbell and the 400 Unit make reference to the song “Something to Love”: “They taught me how to make the chords and sing the words.” Im still singing like that great speckled bird. “.

The song, which some believe has a slight similarity to the traditional folk melody “Red River Valley,” is now believed to have originated from “The Prisoner’s Song,” a piece that Vernon Dalhart copyrighted in 1924 in the name of Dalhart’s cousin Guy Massey. Dalhart’s cousin Guy had sung the song while visiting Dalhart’s house, and Robert Massey, Dalhart’s brother, may have heard it while Robert Massey was incarcerated. Though there is disagreement among Bible scholars regarding the significance of Jeremiah’s prophecy, some people may find it intriguing to compare the Lord’s church to “The Great Speckled Bird.” ”.

INTRO. “The Great Speckled Bird” is a hymn that compares the church to a speckled bird with enemies. Guy Smith, a minister, wrote the manuscript. I could not find any biographical information about this author other than the fact that he was a traveling evangelist in the Springfield, Missouri, area. The lyrics, which refer to Israel’s enemies in Jeremiah 12:9, are an allegory that referenced Fundamentalist perceptions of themselves during the Fundamentalist-Modernist Controversy. It’s possible that the song and the Jeremiah passage are both poetic descriptions of mobbing behavior. The song was transcribed by vocalist Charlie Swain from what appears to be a traditional English melody. The song “Thrills That I Can’t Forget,” which was recorded by Welby Toomey and Edgar Boaz for Gennett in 1925, and the song “I’m Thinking Tonight of My Blue Eyes,” which was first recorded by the Carter Family for Victor in 1929, appear to have the same traditional melody. Roy Acuff first heard “The Great Speckled Bird” performed in 1936 by The Black Shirts, a little-known musical group.

It is therefore challenging to pinpoint the precise text that Guy Smith wrote given the abundance of recordings. However, the song seems to have been around since the 1920s (and even then it seemed unattributed and traditional), and the text had to be from 1936 or earlier because Roy Acuff heard it for the first time in that year. The 1977 hymn book New Songs of Inspiration, Volume Ten by Brentwood and Benson merely refers to the text as “Traditional” and the melody as “Arr.” by W. Elmo Mercer, 1965. All rights reserved by Singspiration, a Zondervan Corporation division. Another arrangement was made in 1971 by Albert E. Brumley for his Olde Time Camp Meetin’ Songs. This appeared in Ellis J. Ellis’ 1977 Special Sacred Selections. Crum. Additionally, these arrangements and the Acuff recording differ in a few ways. “Guy Smith is my Great-Great Grandfather,” wrote the great-great-grandson of Guy Smith. My grandfather and his grandson, who I consulted, claimed that the lyrics had been set to music from another country song at the time. ”.

By the time Acuff recorded the song in the first few months of 1938, Roy had composed four more stanzas to complement the original six. The 1952 country hit “The Wild Side of Life,” sung by Hank Thompson, and the even more popular “answer song,” “It Wasn’t God Who Made Honky Tonk Angels,” performed by Kitty Wells that same year, both featured the same melody. Greenhaw Records’ Grammy Award-nominated album 20th Century Gospel, featuring Nokie Edwards and The Light Crust Doughboys, features a noteworthy instrumental rendition. Later recordings of “The Great Speckled Bird” were made by Pearly Brown (1961), Hank Locklin (1962), Marty Robbins (1966), Lucinda Williams (1978), Bert Southwood (1990), Marion Williams, and Jerry Lee Lewis. Johnny Cash and Kitty Wells recorded the song in 1959 as well. It was also recorded in the early 1970s by George Jones and The Smoky Mountain Boys (though that recording wasn’t made public until 2017).

FAQ

Is there a great speckled bird in the Bible?

Good question. The song is based on a passage at Jeremiah 12:9, according to the King James Version of the Bible: “Mine heritage is unto me as a speckled bird, the birds round about are against her; come ye assemble all the beasts of the field, come to devour.”

What does the speckled bird symbolize?

The speckled bird in the Bible symbolizes the true Church of God. It represents the church’s meekness, chosen status, and unwavering faith in Jesus’ name. The bird’s desirability and uniqueness are juxtaposed with the despise and envy it faces from other churches and religious organizations.

What is the speckled bird in Jeremiah 12 9?

In Jer 12:9 the speckled bird is an unclean bird. It is some sort of carrion eating vulture. God says that due to Judah’s horrible and unrepentant sins, God will give them up to destruction and plunder at the hands of the Babylonians.

What instruments are in the great speckled bird?

Title:
The Great Speckled Bird
Instruments:
Voice, range: D4-D5 Piano Guitar
Scorings:
Piano/Vocal/Guitar
Original Published Key:
F Major
Product Type:
Musicnotes